1,626 Royalty-Free Audio Tracks for "The Note"

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This is definitely my favourite trill to do on my flute (a buffet crampon 228). I hope this will be helpful to you!. Attribution is greatly appreciated, but not necessary! i'd love to see what you've done with my sound. :).
Author: Painted Panda
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Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook
Author: Composition: Karl King; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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Squadron Song performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 11 (B5) from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook
Author: Arrangement: Floyd Werle; Performance: United States Air Force Band, Singing Sergeants and Concert Band; Recording: United States Air Force
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A dark and dissonant hit on the very low piano keys. With a bit of eq to increase the low rumble and a lot of reverb. Not a real piano but a vst instrument. Suitable for e. G. Horror films and games. The versions (a) and (b) of each sound in this pack are the same notes but on different pianos with sligthly different settings. Post-processing: eq & reverb.
Author: Mathewhenry
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The 100% genuine and original htx sound in stereo :p. 3 merged samples featuring 21 group-panned notes with portamento and plenty dialed up effets like chorus, delay and reverb, everything except external panning, digial dc-filtering and volumeramps are comming straight out of the novation x-station. Rumor has it that the core of the original thx-sound actually was programmed in csound in case you want to recreate the original. A google search will give you the right pointer. Fixed high-pass version without the dc and normalized. Individually packed for freshness.
Author: Sirplus
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Recording of a middle school band short performance. Starts with piano for the intro, then goes into a group of out of tune stringed instruments sounding a lot like "twinkle twinkle little star" followed by polite audience applause, and ending with an audience member's cough.
Author: C V
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02:03
Acid intro (i presume) mysteron striking the notes and being droned at by the other modules. They are only envious of its great "iron bar" wavetable. Rendered at 48khz 32-bit fp with markers for all you acid head morphagene addicts out there. Don't laugh - it´s my first experiment with acid. Just enjoy!.
Author: Jim Bretherick
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This is a very old, out of tune accordian (the tuning wavers way off key on the main notes as it plays). It might be useful for messing around with to create undertones for a horror or mystery with a rise-fall pattern. I recorded it on an se x1 large condenser mic. Completely free to use for anything. Cc0.
Author: Fthrll
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Diboz throws a piano at his annoyingly ticking watch, which is ruining his sense of timing. Created in flstudio 11 with lightly tweaked flkeys, flreverb2, jangly (almost tubular bells) wasp xt layers and a pitch bent formant for a bit of spookiness. The ticking noise and deep notes were generated by fiddling with morphine's presets. Caution: look at the waveform. Don't turn up the wick. This piece starts quietly but there's a sudden, loud, jump scare.
Author: Diboz
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Virtual analog (linplug albino) lead multi-sample with a big and upfront sound. Perfectly suited for uptempo dance music and synthpop. The samples have been processed with the nomad factory blue tubes dr2s overdrive and compressed using the sonalksis sv-315 compressor. Sample resolution is 24 bit, 44. 1 khz. All samples in this multi-sample have looppoints added for sustained notes.
Author: Daven
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This is a sequence of bass notes created using vst instrument alchemy on preset dancetrance/ leads/ higher states. Run through ohm boys lfo delay and sequenced at 102bpm at a#3. Works well with my 'break away 102' breaks. The best way to loop this is to take the last two breaks of the sequence and loop those as the effects roll nicely into each other. I've left the ending part in if you want to let it fade out smoothly into your sequence as the bassline ends.
Author: Snapper
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Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.
Author: Zez Confrey (1895-1971); file restored by Adam Cuerden
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A recording of an noise box i've made recently. If you make something interesting with the sounds free feel to send it to me, i'd love to hear it. You can also see it in action on youtube id you search: shpira noisebox.
Author: Shpira
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Notes as an arpeggio derived from the chord cadd9b5 fed through a glass viper synth at 120 bpm using a panning notch filter on a soundfile that has been reversed cross faded into the original soundfile stretched to its maximum. Featured at about 6 minutes 15 on this experimental track. Https://soundcloud. Com/klaxonite/klaxonite-5-010515.
Author: Crusoe Diplomat
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It's my voice and i sing do, re, mi, fa, sol for my game. You can change the file as mix, like nightcore version, child version, chorus version, funny man version, etc. In my christmas game, i need voice for my 5 little angels sing for hints( that's the reason why i only sing 5 music notes), just edit the file from each part!. And i record it only use microsoft audio recorder application( default application).
Author: Shuinvy
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This is my first time ever recording ambiance, i used the tascam dr-40, please leave any notes and suggestions on how i can better make these ambient recordings. This is a recording of my backyard and the sounds around it, if you make anything with it please leave a link in the comments, i would love to hear it. Thanks :).
Author: Dylanthefish
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The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.
Author: Kathleen Schlesinger
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library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.
Author: Performed by Miller, George (Inke'tonga) (Big Shoulder), Recorded by Alice Cunningham Fletcher and Francis La Flesche.
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A simple sound consisting of four notes using pizzicato strings of the program tuxguitar v1. 2. May be used as a pop-up sound, the effect of a window or program opening, or even in a game of yours. You do not have to give me credit of any kind. I think of this work as a simple but important contribution to the community. However, if do you wish to tell me, i would be glad to know how this sound was used in your project!.
Author: Gabrielaraujo
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My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".
Author: Meg
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Opening and closing the cutlery drawer. -----------these sounds are part of the compose with sounds kitchen soundpack. Compose with sounds is a software program for young composers (and composers of all ages) who would like to learn how to compose with sounds, and not focus on the traditional manner of music making with notes. Compose with sounds is available free of charge. It runs on mac osx (from 10. 6), windows xp and windows 7. For more information and to download the software visit: http://cws. Dmu. Ac. Uk/en/1.
Author: Ahill
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Regular game sounds 1. -------------------------------------------------------------. You may use these sounds freely ifyou think they're usefull. I made them in nanostudio with the eden's synthsmostly one instrument (the eden) multiple notes some effect(hall i believe) sometimes and here and then multiintstruments. (they are very easy to make in nanostudio (=freeware!))i edited the mixdown afterwards with oceanaudio,to seperate the wav's from the output mixdown, andused a normalise effect for maximum db. If you want to use them for any production or whateverthats ok, they are public domain. 47. Wav sounds. Bye. -------------------------------------------------------------. 20-02-2014lu6np9@kpnmail. Nlhttp://home. Kpn. Nl/lu6np9.
Author: B Lamerichs
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A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.
Author: Daven
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I made this using two oscillators in native instrument's fm8 synth. There is nothing too fancy, just two sine waves played out the same output, but one has an offset of 440hz, and the second oscillator has an offset of 330hz. I then just played two notes that didn't sound too dissonant, and then ran it through some low-fi processing.
Author: E Vice
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Modulating harp sound from mimeophon (using karplus-strong mode). Various effects. O-ctrl provides the sequence gates rhythm etc. Sequence also used with dpo passed through qmmg and qpas for "sub". Rendered @48khz 32-bit fp and marked for all you morphagene fans out there. Enjoy the trip!.
Author: Jim Bretherick
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Wrote/recorded a free chill tune that used the chimes at 120bpm using ableton live 9 stock plugins:chimes and bowlight and shadow. The notes played:c4--g#3-f#3--d4--b3-g#3--a3--b3--e4--c4-b3-----c4-a3-g#3-a3-g#3-f#3-etc. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.
Author: Bainmack
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I don't have a modular system to speak of but after watching some of divkids videos i realised my xiao could sound really nice in an ambient eurorack setup. Anyway, here's a few improv sections on my flute, only been playing 4 weeks so pardon the few bum notes. Make of it what you will but would love to hear what people come up with. Concertina loops on the way after it's been serviced.
Author: Jamiewilson
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An audio translation of statistics on the current covid-19 pandemic. A sound composition that makes the pandemic tangible on an acoustic level, based on data series and curves. The basis for the auditory presentation of the statistics is provided by pixelsynth, a browser-based synthesiser for generating sounds from images. A cursor scrolls over the monochrome image of a statistic and plays notes when it comes into contact with bright pixels. The audio tracks generated by pixelsynth from the statistics were then recorded in logic pro and individually processed using effects, automations and other synths and sounds. Additional information: the audio is complemented by appropriate animations of the statistics, which cannot be shown here, however.
Author: Sound In Transition
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Car driving past on a quiet lane. -----------these sounds are part of the compose with sounds external soundpack. Compose with sounds is a software program for young composers (and composers of all ages) who would like to learn how to compose with sounds, and not focus on the traditional manner of music making with notes. Compose with sounds is available free of charge. It runs on mac osx (from 10. 6), windows xp and windows 7. For more information and to download the software visit: http://cws. Dmu. Ac. Uk/en/1.
Author: Ahill
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This piece is a sound-sculpture of a weather effect commonly called the beast from the east in the uk. It is based on a longer piece by me called frozen kaos. This was constructed by me using only copywrite free sources of sounds, musical(ish) pieces and natural sounds. All of these were assembled and processed using the free software package audacity™. Most samples have been filtered, pitched, and manipulated vastly to make the basic foundation. On that base all the rest of the sounds were layer (over 200 different layers -- manipulated, mixed down, rebuilt, remixed, manipulated). I mostly work be happenstance and never take notes -- often what comes about is as much by chance as by design.
Author: Tom Mason
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A recording of a cantor practicing the first blessing of w:Mussaf of Yom Kippur. Orthodox prayer book w:Nusach Ashkenaz, Israeli pronunciation notes The cantor in the recording is not a professional. parts of the prayer that are recited quietly or sung by the entire congregation are not included in the recording. The prayer book used was a Rinat Yisrael w:Mahzor. עברית: חזן חוזר על ברכת אבות של מוסף של יום כיפור. סידור אורתודוקסית, נוסח אשכנז, he:הברה ספרדית. הערות החזן בהקלטה אינו חזן מקצועי. חלקים מהתפילה שנאמרים בלחש או שנישורים ע"י כלל המתפללים אינם כלולים בהקלטה. לצורך ההקלטה נעשה שימוש במחזור רינת ישראל.
Author: דניאל צבי
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A recording of a cantor practicing the first blessing of w:Mussaf of Yom Kippur. Orthodox prayer book w:Nusach Ashkenaz, Israeli pronunciation notes The cantor in the recording is not a professional. parts of the prayer that are recited quietly or sung by the entire congregation are not included in the recording. The prayer book used was a Rinat Yisrael w:Mahzor. עברית: חזן חוזר על ברכת אבות של מוסף של יום כיפור. סידור אורתודוקסית, נוסח אשכנז, he:הברה ספרדית. הערות החזן בהקלטה אינו חזן מקצועי. חלקים מהתפילה שנאמרים בלחש או שנישורים ע"י כלל המתפללים אינם כלולים בהקלטה. לצורך ההקלטה נעשה שימוש במחזור רינת ישראל.
Author: דניאל צבי
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Glitch sfx #1. Modify/use however you want. I made this by playing a couple sine waves on different notes, then i added a fruity waveshaper to add harmonics whenever one of the sine waves clips, then filtered out the original sine waves, leaving you with the distorted harmonics you have here. Made with fl studio 12, massive, waveshaper, and edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.
Author: Ianstargem
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24 bit sample, direct to sound card, volume adjusted to remove peaks. . . Sound is a long recording of static and crackling noises with random notes and music from a circuit bent musini toy. I honestly don't know if the static sound (activated with two body contacts) is classified as "white" or "pink" noise, but i really like the sound of it! a plethora of crunchy, crispy, noisy snippets to transform into a drum kit or something like that!.
Author: The Semen Incident
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Wrote/recorded short daft punk style tune at 100 bpm in ableton live 9:muugy for synth sound. Analogue bass + bit growl for bass sound. Kontakt 5 for the string sound. Soft saturated for the percussive section. Additional notes:-12. 9 lufs integrated-2. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Author: Bainmack
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[Kde domov muj?] (The Czech National Anthem) [Where is my home?] Duration: 1 minute, 5 seconds PERFORMER(S) Jakubcin, Julia Name also documented as: Jacubcin, Julia NOTES The first stanza to this song, preceding the first stanza to the Slovak National Anthem, constituted the national anthem of the Czechoslovak Republic beginning in 1918. Since 1993, the first two stanzas of this song have served as the national anthem of the independent Czech Republic. The Slavia colony in Florida was established by Slovaks who had first settled in Cleveland in 1912. ETHNIC GROUP(S) Slovak Americans LANGUAGE(S) Czech INSTRUMENTATION vocals GENRE(S) Czech songs National anthems SPEAKER(S) Morris, Alton C. COLLECTED BY Morris, Alton C. CREATED/PUBLISHED 1939/09/01 LOCATION [St. Luke's Lutheran Church] Slavia, Florida Seminole County
Author: Alton C. Morris, Works Progress Administration
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Four notes recorded from the same person to create this "heavenly choir" cluster chord. Some reverb added. Created for a production of jesus christ superstar when he is crucified. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.
Author: Bevibeldesign
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Wrote/recorded short a mellow dance song at 120 bpm in ableton live 9:muugy for synth sound. Jarble bass (ableton stock plugin) for bass sound. Kit-core 808 and kitcore jarble for percussion section. Nylon concerto for the guitar plucked section. Additional notes:-11. 6 lufs integrated-0. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Author: Bainmack
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I improvised this over a song of mine but i´m likely to not use it so i´m uploading it here. It´s the first take and not edited so don´t complain about wrong notes. Key: fmin bpm: 75. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.
Author: Dierechnug
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03:04
Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes
Author: Untitled
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00:11
An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.
Author: Arseniiv
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Rock song short 10wrote/recorded a short rock song at 120 bpm in ableton live 9:guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Bass recorded direct into a la610 preamp then into the scarlett 18i20. Ezdrummer for drums. Additional notes:-12. 1 lufs integrated. -1. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Author: Bainmack
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00:37
Wrote/recorded a beat song with mixed synth and percussive elements at 60 bpm in the ableton session. Notes:d#1 f1 d#1 d#2 g1 c2 d2 d#1 f1 d#1 d#2 g1 c2 d2 d#1 f1 d#1 d#2 g1 c2 d2 (then it repeats). Additional notes:-12. 2 lufs integrated-0. 2 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Author: Bainmack
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Another "shoegazey" clip using guitar though many pedals (boss xtortion > danelectro eq > boss me-30 (no effects on, but working as a slight boost) > eh small stone > korg ax3g (on a pitch/harmonizer setting) > boss dd-20 > behringer ultra vibrato > alesis nanoverb > mixer > soundcard. ) it's kind of similar to the beginning of "souvlaki space station", but it is in no way an approximate recreation (or even the same notes, i'm sure) of it. I messed around with levels and soundcard settings and was able to get a much cleaner, less distorted recording (compared to the guitar drone sample uploaded previously. ).
Author: The Semen Incident
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02:18
Troopers Tribunal (1905), was a circus march written by Henry Fillmore in 1905. To conceal who it was written for from his conservative father and publisher, Fillmore intentionally misspelt "Troupers", as in, a circus troupe, as something that appeared, at first glance, to be military (according to the liner notes to Front & Center, a Collection of American Marches, U.S. Air Force Band). It is here performed by the US Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Author: Henry Fillmore (Composer, 1881–1956) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham – Greeley, CO Manager: Chief Master Sergeant James H. Moseley II – Beaumont, TX PICCOLO MSgt Ardyth Scott – Shreveport, LA FLUTE MSgt Lawrence Ink* – Rockville, MD MSgt Lucille Johnston Snell – Albuquerque, NM TSgt Sharon Weinberg – Philadelphia, PA OBOE MSgt Ronald Erler* – Falls Church, VA CMSgt Robin Forrester-Meadows – Evansville, IN ENGLISH HORN CMSgt James Moseley II – Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried – Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* – Simi Valley, CA TSgt George Stoffan – Norwalk, CT MSgt Carl Long – Hanover, NH MSgt Elizabeth Campeau – Pinckney, MI MSgt Sandra Haton* – Columbia, SC TSgt Richard Drew – Joliet, IL TSgt Brian Jones – Panama City, FL MSgt Kay Schultz – Skaneateles, NY MSgt Lorraine Haddad* – Poughkeepsie, NY TSgt Shawn Buck – Brookside, PA SMSgt Robert Little – Houston, TX BASS CLARINET TSgt David Aspinwall – Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy – Virginia Beach, VA BASSOON CMSgt Danny Phipps* – Annapolis, MD TSgt Lawrence Burke – Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* – Ellisville, MS MSgt William Marr – Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely – Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George – Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* – Dallas, TX TSgt Leslie Mincer – Charlottesville, VA TSgt Kent Wyatt – Arlington, TX TSgt Philip Krzywicki – Philadelphia, PA CORNET TSgt Andrew Wilson* – Gambier, OH SMSgt David Golden – Bethlehem, PA TSgt Michael Bosch – Bethlehem, PA MSgt William Adcock – San Jose, CA TSgt Curt Christensen – Mt. Clemens, MI MSgt Clarence Mitchell – Portsmouth, VA TRUMPET TSgt Robert McConnell – Wadsworth, OH MSgt James Bittner – Harrisburg, PA TROMBONE SMSgt Mark Williams* – Okemos, MI MSgt Jeffrey Gaylord – Western Springs, IL MSgt Lindsey Smith – Williamston, MI TSgt James VanZandt – Austin, TX EUPHONIUM MSgt Ann Baldwin* – Canton, OH TSgt Lance LaDuke – Niles, MI TUBA MSgt Jan Duga* – Columbus, OH SMSgt Edward McKee – Roselle, NJ MSgt David Porter – Alcoa, TN TIMPANI MSgt Patrick Shrieves – Freehold, NJ PERCUSSION MSgt Aubrey Adams* – Medford, OK SMSgt Mark Carson – East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison – Louisville, KY * Principal CREDITS Colonel Lowell E. Graham – Commander/Conductor/Producer Major Frank J. Grzych II – Deputy Commander/Producer Captain Scott A. Guidry – Staff Officer/Co-Producer Mr. Bruce Leek – Engineer/Digital Editing Master Sergeant Kendall S. Thomsen – Assistant Engineer Chief Master Sergeant Dana L. Steinhauser – Director of Public Affairs Master Sergeant William D. Porter II – Recording Production Technical Sergeant Robert K. McConnell – Graphic Layout Master Sergeant Elizabeth K. Campeau – Liner Notes Technical Sergeant Sharon B. Weinberg – Booklet Editor Crabtree + Company (Arlington, VA) – Cover Design Mark Custom Recording Service (Clarence, NY) – Disc Replication Lion Recording Services, Inc. (Springield, VA) – Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807.
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What if we could hear sounds from another planet ?. In this imaginary place, people can visit zoos under water. Here is the sound of a yhtem, recorded by a visitor from inside his personal submarine. The recording device was found by a member of the zoo staff, as it was floating over the water. It gave no more informations about what happened to the visitor, except that according to several monster's specialists, the yhtem « sounded hungry ». In the real world, this sound was created using the sound of a very brief scream. At the background was a noisy street, and some cars were passing by. I used two different screams and mixed them, before decreasing speed and tempo in audacity. -. Xson « cannelé ». Le son « d'arrière plan » est étouffé, plutôt doux, mais il y a des « accents » rugueux, acides, lors du grognement. L'attaque est graduelle. On distingue quelques notes, différentes hauteurs. Variation scalaire.
Author: Univ Lyon
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Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.
Author: Laffik
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I was playing around with my sampler fx today and decided to rig up my electric guitar. I use a fender american special stratocaster, hooked up to an akai s2000 sampler with on-board fx - distortion and guitar metal applied in real time, the signal then sent through to amplitube fx rack on my computer with vintage crunch setting. This is a strum of the lower e open. I recorded a number of stabs and thought this clip might come in useful.
Author: Snapper
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The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Wind is blowing and howling in the salt desert of atacama (chili). Sound recorded by a ms setup schoeps microphone ccm41&ccm8;sound devices 744t recorderms is encoded in stereo left-rightrecorded in 2012 during the shooting of "camanchaca // notes pour un film à venir" directed by clio simon (http://www. Wix. Com/cliosimo8/cliosimon - cliosimon@gmail. Com)photography : sergio nahuel. More sounds on http://www. Felixblume. Comthe same sound on soundcloud with a french description on http://soundcloud. Com/felixblume/desert-atacama. Please rate the sound or comment it if you like it !.
Author: Felix
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